Previously on AP Lit, the class was watching A Doll's House, repulsed by the old and not at all fitting actress that plays Nora in the film.
"There can be no freedom or beauty about a home life that depends on borrowing and debt." -Act I
"Because an atmosphere of lies like that infects and poisons the whole life of a home. In a house like that, every breath that the children take is filled with the germs of evil." -Act 1
"Nora, darling, you're dancing as if your life depended on it!" -Act 2
(I'm in a t.v soap opear mood today :P)
As we have been discussing this play I am repeatedly reminded of The Glass Menagerie, written by Tennessee Williams. It is Nora's character that makes the connection to both Amanda the mother, and Laura the daughter. The costume that Nora wears to the party is not only symbollic because it shows her metamorphasis but also because it symbollically represents her life which as she feels is hanging by the thread that the letter sent by Krogstad is threatening to cut. In Amanda's case in The Glass Menagerie, that beautiful yellow dress she always talks about just shows how she is so attached to the past and is unwilling to let it go. The play certainly depicts her as a character who completely lives in the past and is unable to take a firm grasp of reality. So the dresses or the costumes in both plays are a symbolic representation of each of the women's lives respectively. Also they both live their lives in some facade.
I feel Nora relates to Laura because they are both described as children in one way or another. Nora is a child in Torvald's eyes, and as for Laura, I can't quiet recall but Amanda always thought of her as a small child who was unable to be independant.
It's interesting the way those two plays relate.
Monday, October 19, 2009
Monday, October 12, 2009
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